Qué c*** té a veure (...)

Volledige titel

Qué c*** té a veure la mùsica amb la industria i el feminisme en un centre d'art?

Soort evenement:

Gesprekken, ontmoetingen, lezingen, radio webstreaming en een fuifje

Datum / tijd / duur evenement

25 - 28/10/05

Locatie

Centre d'Art Santa Monica, Barcelona

foto's

http://www.constant.irisnet.be/gallery/10-27/aad http://www.constant.irisnet.be/gallery/santamonica/aaa

Keyword lijst

queer, open source software, openbare ruimte, stad, representatie, multidisciplinair (replace)

URL

http://www.constant.irisnet.be/~constant/santa_monica/ http://www.radiopaca.org/spip/santamonica/

Type productie

Coproductie

Partner organisaties

Centre d'Art Santa Monica, Radio Paca

Totaal aantal bezoekers evenement:

estimate (niet voor het jaarboek)

Soort bezoekers / deelnemers / gasten evenement

music producers, sound artists and activists, feminists, cultural producers

Korte beschrijving (max 200 woorden)

The project QUÉ C*** ? (what the f... has to do music with feminism and industry in an art centre?) explored various strategies of production, of creation, of curating, of performances, of representation, by organising public, open and streamed interviews, debates, meetings, an information room and a party, on the following questions, among others: -What is it about the theoretical undercurrents and the networking mechanisms in the music scene(s) that impede women artists from being seen and heard? Is this question still relevant? -Has the alternative scene become a standard as a result of the formats of dominant technologies and the reproduction of stereotypes? Or does it remain a place of possible détournement / displacement, and a place of experimentation in technologies or gender stereotypes ? -What are the economic strategies and practices built by indepent groups, labels, press to assure a visibility and practice to feminist or at least gender minded musical scene? -How to produce a feminist song wihtout killing the ratings? - Is there a connection to feminist history as a critique of the systems of representation, economy and access to technology of production and distribution? The interviews were lead publicly in the art centre and streamed live on women web radio. With Terre Thaemlitz, Chicks on Speed, Astrohungaro, and representants from the Barcelonese music scene.