Difference between revisions of "Images for inspiration and use"

Revision as of 11:41, 3 May 2006

The purpose of this collection is to get some ideas. Apart from the location shots at the bottom of this page, the foto's themselves are not that important, they are purely meant to inspire ways we could work with images.

Methods for a flyer / poster: Drawing / tracing / copying / making collages + fragments + photographic cut outs?

This is a belgian fr. keyboard scripted to translate letters to signs for deaf people -- some great signs / symbols can be found on http://www.signbank.org

This image shows the same signs drawn by a deaf student.

Inventing new routines includes looking at how people meet and approach / maybe en route we will develop some new templates for behaviour. Handshakes, greeting words / curses / ...

Finnish rappers usually praise their own neighborhoods, although with a little less passion. However, where hip-hop is concerned, your telephone area code is nowadays important in Finland as well. People living in Tampere have even created a finger sign which symbolizes the numbers 03, the area code of Tampere, and resembles the different signs that American rappers have for east side and west side and for their crews. (www.uta.fi)

Otto Neurath model with extrapolated live action position, + isotype figures with trade symbols in silhouets

this drawing, or rather the whole layout of the info board could be a great model for a poster / flyer. Since Routes and Routiines is very much about mapping from a different perspective, visualising a querschnitt / doorsnede / view of the many layers of a location / situation seems very appropriate. I love how the info is grouped around the drawing, theout of propoportion bold and italic typo, the corny pastel teints and the many spelling mistakes

the figurative framing / suggestive silhouette implies a narrative beyond the directly visible

not to forget the beauty of simplicity

The lay out of the stage settiinig for Lars von Triers Dogville. Beautiful mix of schematic scene and real life props and actors.

Ben Vautiers super 2cv. 1964 -- mobile text / bilboard for personal artistic formula's / blackboard / mental lugage

This image is from Tjebbe van Tijens Imaginary website http://imaginarymuseum.org/index.html also look at the scrolling images on the site.

Ok, below are some pictures of locations for the first walks.

Locatie: Zaadstraat / Ninoofse steenweg this path through people gardens built inbetween new housing projects and the supermarkets on the ninoofsesteenweg will be topic of investigation. The path is not wide enough for two people with shopping lorries passing each other. Communication is necessary to figure out how to pass each other.

A 'gardenhouse' in front of estate 'Park Village'

Lieu: jonction Rue Gray / Troon The bridge over Graystraat is interesting because it offers a widescreen view on many surrounding houses. The intyerior lives are like theaterplays. private screens / layered geographics / tunneling /

At night stars are projected on the huge brick roof of the tunnel underneath Troon. "De Graystraat wordt overspannen door twee bruggen. De eerste is de oudste (1854) en de laagste. Ze draagt de spoorlijn Brussel-Namen. Bijna parallel daaraan werd iets later de brug van de Kroonlaan gebouwd (35 meter boven de Graystraat).

Dat hoog en somber gewelf vormde een ware psychologische barrière waar maar moeilijk doorheen gebroken werd en die de straat volledig in twee deelde. Het gewelf van de viaduct werd nu omgetoverd in een sterrenhemel dankzij een vernuftig systeem van spots en reflectoren. De projectoren werden op 6,5 m hoogte tegen de muren van de brug geplaatst en verlichten elk een oppervlakte van 60 m2. In het gewelf werden 450 reflectoren in inox aangebracht die de indruk geven dat ze zelf de bron van het licht zijn. De tekening op het gewelf stelt de belangrijkste sterrenbeelden voor aan de noordelijke hemel tijdens de zomerzonnewende." www.wijken.irisnet.be/.../contentnl.asp?ref=153

The cantina of the elderly peoples house is near the bridge, spying on th e crew is almost inevitable.